These past few months have been a blur. I've barely had a moment to breathe since the release of The Dwelling of All Souls. Hawai'i Opera Theatre's season hit in full force, with three shows and their annual Opera Ball falling almost back to back (to back to back). It wasn't a bad busy, though.... Continue Reading →
“It removes you from the performance,” Wright says of puppetry. “Just ever so slightly, so that you’re aware of more than just your own body on stage… When you work on puppetry, I think that that entire experience of theater is really made explicit. It’s so sharply defined between what works and what doesn’t.”